Early last spring, as we were preparing to move, my husband, Aaron, brought me several small bags. “I found these in the freezer. Can you believe we still have bags of breast milk?! I'll just throw them out.” I grabbed the bags, highly offended. “No, YOU did not make this, you do NOT get to decide what happens to it!” I surprised even myself at my passionate response to these little bags. You see, my youngest child is now six, in first grade, and stopped nursing at age one.
But those little bags signified so much I had never dealt with. I put them back in the freezer and spent the next week trying to decide what their fate would be. Our move would take us 800 miles away, so the bags would not be traveling with us. But they represented a time in my life that had been so hard in coming; I was not willing to simply throw them away. It felt like I had a tangible connection to so much untouchable loss. I prayed, I meditated, and I waited to see what would be created from those little bags of breast milk, sitting my freezer.
I'm not sure how I arrived at my plan, but I saw a watercolor forming in my mind. I gathered blues, purples, and black paints; sea salt to represent so many tears. And I waited. It occurred to me that over the course of our ten rounds of fertility drugs, there had been ten embryos that had been created by Aaron and me. Ten. That number was astounding. Those little bags of milk represented the end of a four year struggle with infertility. They represented seven embryos that never attached. They represented the child lost through miscarriage. They represented the cherished time I nursed two amazing children. Still I waited.
One day, amid packing boxes and looming deadlines, the feeling was overwhelming. It was time. I stood at my dining room table and began to swirl the blues, the purples, the black. I left ten little spaces and while the paint was still very wet, I dropped the breast milk onto the canvas and watched as it swirled and mixed and danced with the colors on the canvas. I sprinkled salt over it all, and whispered prayers for each of those embryos, for the space they would always hold in my soul, for the healing I longed to take place there. Finally, eventually, it was finished. The power of that dance; of paint, milk, tears, salt, and prayers - was unspeakable. I had no idea how much I had needed that dance. When it was finished, I sat in silence with the painting for a long time. There was a powerful connection swirling in the air. Eventually the feeling of connection was replaced by a wide feeling of peace inside me. There was a little milk left over, and I walked outside and sprinkled it over the wild blackberries that grew in our yard, knowing it would feed someone; birds, squirrels, friends, strangers.
That was months ago, and the painting is very dear to me. It went to the book launch party with me, and hung that night in the art gallery as we celebrated. After our move, I hung it in our new home, in our bedroom, and enjoy its nearness. A couple of weeks ago, my hand brushed the bottom of the canvas as I went to turn on the light. My fingers came away damp, and I turned on the light to see streams of paint weaving down the wall. The painting was wet. Aaron said the recent high humidity had caused the salt to soak in the moisture from the air.
But why now, in January? It had not done this through the many humid months of summer in North Carolina. I counted up the months in my head, it has been dry and fine all this time. Chills raised the hairs on my neck as I realized it had been painted nine months ago. I realized it was weeping. I cannot explain the journey of this painting except to say we are connected, and in my eyes it is beautiful beyond measure.
Whatever journey you are walking, honor the connections your soul sees, and allow them to dance.
But those little bags signified so much I had never dealt with. I put them back in the freezer and spent the next week trying to decide what their fate would be. Our move would take us 800 miles away, so the bags would not be traveling with us. But they represented a time in my life that had been so hard in coming; I was not willing to simply throw them away. It felt like I had a tangible connection to so much untouchable loss. I prayed, I meditated, and I waited to see what would be created from those little bags of breast milk, sitting my freezer.
I'm not sure how I arrived at my plan, but I saw a watercolor forming in my mind. I gathered blues, purples, and black paints; sea salt to represent so many tears. And I waited. It occurred to me that over the course of our ten rounds of fertility drugs, there had been ten embryos that had been created by Aaron and me. Ten. That number was astounding. Those little bags of milk represented the end of a four year struggle with infertility. They represented seven embryos that never attached. They represented the child lost through miscarriage. They represented the cherished time I nursed two amazing children. Still I waited.
One day, amid packing boxes and looming deadlines, the feeling was overwhelming. It was time. I stood at my dining room table and began to swirl the blues, the purples, the black. I left ten little spaces and while the paint was still very wet, I dropped the breast milk onto the canvas and watched as it swirled and mixed and danced with the colors on the canvas. I sprinkled salt over it all, and whispered prayers for each of those embryos, for the space they would always hold in my soul, for the healing I longed to take place there. Finally, eventually, it was finished. The power of that dance; of paint, milk, tears, salt, and prayers - was unspeakable. I had no idea how much I had needed that dance. When it was finished, I sat in silence with the painting for a long time. There was a powerful connection swirling in the air. Eventually the feeling of connection was replaced by a wide feeling of peace inside me. There was a little milk left over, and I walked outside and sprinkled it over the wild blackberries that grew in our yard, knowing it would feed someone; birds, squirrels, friends, strangers.
That was months ago, and the painting is very dear to me. It went to the book launch party with me, and hung that night in the art gallery as we celebrated. After our move, I hung it in our new home, in our bedroom, and enjoy its nearness. A couple of weeks ago, my hand brushed the bottom of the canvas as I went to turn on the light. My fingers came away damp, and I turned on the light to see streams of paint weaving down the wall. The painting was wet. Aaron said the recent high humidity had caused the salt to soak in the moisture from the air.
But why now, in January? It had not done this through the many humid months of summer in North Carolina. I counted up the months in my head, it has been dry and fine all this time. Chills raised the hairs on my neck as I realized it had been painted nine months ago. I realized it was weeping. I cannot explain the journey of this painting except to say we are connected, and in my eyes it is beautiful beyond measure.
Whatever journey you are walking, honor the connections your soul sees, and allow them to dance.
RSS Feed